![Seberg Cinematography: A Celluloid Beauty Shot on XL2 With C Series Anamorphic - YMCinema - News & Insights on Digital Cinema Seberg Cinematography: A Celluloid Beauty Shot on XL2 With C Series Anamorphic - YMCinema - News & Insights on Digital Cinema](https://u7s8g8p6.rocketcdn.me/wp-content/uploads/2020/06/Seberg-Cinematography-A-Celluloid-Beauty-Shot-on-XL2-With-C-Series-Anamorphic-by-Rachel-Morrison-ASC-.004.jpeg)
Seberg Cinematography: A Celluloid Beauty Shot on XL2 With C Series Anamorphic - YMCinema - News & Insights on Digital Cinema
![ARRIFLEX 235, Panaflex Millennium XL2 and Millennium DXL, were combined to make Mission Impossible Fallout - YMCinema - News & Insights on Digital Cinema ARRIFLEX 235, Panaflex Millennium XL2 and Millennium DXL, were combined to make Mission Impossible Fallout - YMCinema - News & Insights on Digital Cinema](https://i1.wp.com/ymcinema.com/wp-content/uploads/2018/07/Mission-impossible.001.jpeg?fit=1920%2C1080&ssl=1)
ARRIFLEX 235, Panaflex Millennium XL2 and Millennium DXL, were combined to make Mission Impossible Fallout - YMCinema - News & Insights on Digital Cinema
![Using a Panavision XL2 as set dressing and shooting with an Alexa on the indie I'm working on. How the times have changed. : r/Filmmakers Using a Panavision XL2 as set dressing and shooting with an Alexa on the indie I'm working on. How the times have changed. : r/Filmmakers](https://external-preview.redd.it/PppASnqPbZQRIHmGuo2u0N-QtA1P4phsfTpOKcqhc4Q.jpg?auto=webp&s=9e40bc66cfb8d866f0c3922069505c5b5d22fce4)
Using a Panavision XL2 as set dressing and shooting with an Alexa on the indie I'm working on. How the times have changed. : r/Filmmakers
![A Quiet Place Part II was Shot on Panavision's Panaflex Millennium XL2 and T Glass - YMCinema - News & Insights on Digital Cinema A Quiet Place Part II was Shot on Panavision's Panaflex Millennium XL2 and T Glass - YMCinema - News & Insights on Digital Cinema](https://u7s8g8p6.rocketcdn.me/wp-content/uploads/2020/06/A-Quiet-Place-Part-II-another-image.001.jpeg)
A Quiet Place Part II was Shot on Panavision's Panaflex Millennium XL2 and T Glass - YMCinema - News & Insights on Digital Cinema
Mr. Cinematography - "Don Jon" (2013) Cinematography by Thomas Kloss . Camera & Lens: Panavision Panaflex Lightweight, Panavision Primo Lenses Panavision Panaflex Millennium XL2, Panavision Primo and Angenieux Optimo Lenses . Aspect
![ARRIFLEX 235, Panaflex Millennium XL2 and Millennium DXL, were combined to make Mission Impossible Fallout - YMCinema - News & Insights on Digital Cinema ARRIFLEX 235, Panaflex Millennium XL2 and Millennium DXL, were combined to make Mission Impossible Fallout - YMCinema - News & Insights on Digital Cinema](https://u7s8g8p6.rocketcdn.me/wp-content/uploads/2018/07/Mission-impossible.003.jpeg)