Deren, Maya – Senses of Cinema
Female Becomingness Through Maya Deren's Lens in 'Meshes of the Afternoon' – Bitch Flicks
119. MESHES OF THE AFTERNOON (1943) | 366 Weird Movies
Surrender to the Void: Meshes of the Afternoon
Analysis: Meshes of the Afternoon (1943): a spiralling lucid nightmare, Maya Deren, & A dialogue with the Unconscious – DIANA MARIN
Essay Day - “Maya Deren in 3D! Meshes of the Afternoon, At Land, and Cinematic Visions from the Beyond”
Analysis: Meshes of the Afternoon (1943): a spiralling lucid nightmare, Maya Deren, & A dialogue with the Unconscious – DIANA MARIN
MoMA | Maya Deren. Meshes of the Afternoon. 1943
Analysis: Meshes of the Afternoon (1943): a spiralling lucid nightmare, Maya Deren, & A dialogue with the Unconscious – DIANA MARIN
Lunch Links: MESHES OF THE AFTERNOON | The-Solute
The Cine-Files » Teaching Meshes of the Afternoon
Lost in the Movies: The Favorites - Meshes of the Afternoon (#16)
Tony Pipolo on Maya Deren's Meshes of the Afternoon (1943) and At Land (1944) - Artforum International
Analysis: Meshes of the Afternoon (1943): a spiralling lucid nightmare, Maya Deren, & A dialogue with the Unconscious – DIANA MARIN
Death in the Afternoon | by Eric Drown | 110 Seconds from Now | Medium
Meshes Of The Afternoon (Maya Deren, 1943) – Aaron Bruce's Film Studies Blog
Film Road to Halloween: Maya Deren's Meshes of the Afternoon (1943) - Filmotomy
Meshes of the Afternoon / Un chien andalou - Mara Marietta
Analysis: Meshes of the Afternoon (1943): a spiralling lucid nightmare, Maya Deren, & A dialogue with the Unconscious – DIANA MARIN
Maya Deren: The Magical Woman as Filmmaker - Frames Cinema JournalFrames Cinema Journal
PDF) Maya Deren's Meshes of the Afternoon is an example of counter-cinema. Discuss this with regards to Surrealism in cinema and Institutional Modes of Representation | Sabrina Mumtaz Hasan - Academia.edu
Meshes Of The Afternoon- Analysis of Representation & Symbolism | by Jyantika Chadha | Medium
MoMA | Maya Deren. Meshes of the Afternoon. 1943
