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Post Magazine - Cinematography: <I>1917</I>
Post Magazine - Cinematography: <I>1917</I>

1917 One Shot Explained — How Roger Deakins & Mendes Shot a “Oner”
1917 One Shot Explained — How Roger Deakins & Mendes Shot a “Oner”

Skyfall director Sam Mendes made his new WWI epic 1917 in 'one shot' -  Polygon
Skyfall director Sam Mendes made his new WWI epic 1917 in 'one shot' - Polygon

Inside the Look of 1917 by DP Roger Deakins | CineD
Inside the Look of 1917 by DP Roger Deakins | CineD

This is a fascinating look at how the incredible cinematography of 1917 was  created
This is a fascinating look at how the incredible cinematography of 1917 was created

1917: Why it looks like it was shot in a single, continuous take - Vox
1917: Why it looks like it was shot in a single, continuous take - Vox

Roger Deakins Summarizes the Making of 1917 - YMCinema - News & Insights on  Digital Cinema
Roger Deakins Summarizes the Making of 1917 - YMCinema - News & Insights on Digital Cinema

BTS: A look at the incredible planning, camera work and editing that went  into the WWI film '1917': Digital Photography Review
BTS: A look at the incredible planning, camera work and editing that went into the WWI film '1917': Digital Photography Review

Tony Lorentzen on Twitter: "Hey Camera-geeks, anybody who knows what kind  of camera gimbal Deakins used on 1917? #cameragear #1917  https://t.co/6isGW7O5Ok" / Twitter
Tony Lorentzen on Twitter: "Hey Camera-geeks, anybody who knows what kind of camera gimbal Deakins used on 1917? #cameragear #1917 https://t.co/6isGW7O5Ok" / Twitter

The '1917' One-Shot Trick Isn't a Gimmick or a Flex - The Ringer
The '1917' One-Shot Trick Isn't a Gimmick or a Flex - The Ringer

CVP.com - Camera movement of 1917 - Creating the look of the one-shot - ACO  and CVP presents an in-depth exploration into the camera movement of 1917,  with Peter Cavaciuti and Charlie Rizek.
CVP.com - Camera movement of 1917 - Creating the look of the one-shot - ACO and CVP presents an in-depth exploration into the camera movement of 1917, with Peter Cavaciuti and Charlie Rizek.

'1917' review: Movie brings a masterful new dimension to the war epic | CNN
'1917' review: Movie brings a masterful new dimension to the war epic | CNN

CVP.com - Camera movement of 1917 - Creating the look of the one-shot - ACO  and CVP presents an in-depth exploration into the camera movement of 1917,  with Peter Cavaciuti and Charlie Rizek.
CVP.com - Camera movement of 1917 - Creating the look of the one-shot - ACO and CVP presents an in-depth exploration into the camera movement of 1917, with Peter Cavaciuti and Charlie Rizek.

1917 One Shot Explained — How Roger Deakins & Mendes Shot a “Oner”
1917 One Shot Explained — How Roger Deakins & Mendes Shot a “Oner”

Listen to Team Deakins Podcast About ARRI Trinity and the Camera Movements  Behind “1917” - YMCinema - News & Insights on Digital Cinema
Listen to Team Deakins Podcast About ARRI Trinity and the Camera Movements Behind “1917” - YMCinema - News & Insights on Digital Cinema

The Cinematography of 1917 | Roger Deakins & Sam Mendes | Experience It In  IMAX® - YouTube
The Cinematography of 1917 | Roger Deakins & Sam Mendes | Experience It In IMAX® - YouTube

How Sam Mendes' '1917' Was Filmed Like Continuous Shot
How Sam Mendes' '1917' Was Filmed Like Continuous Shot

A Closer Look at Stabileye, One of the Stabilizers Roger Deakins Used on ' 1917'
A Closer Look at Stabileye, One of the Stabilizers Roger Deakins Used on ' 1917'

The Look Of 1917 - Filmmakers Academy
The Look Of 1917 - Filmmakers Academy

How was 1917 filmed in 'one shot'? The single-take style of Oscar-nominated  Sam Mendes World War One film, explained
How was 1917 filmed in 'one shot'? The single-take style of Oscar-nominated Sam Mendes World War One film, explained

No. 1A Autographic Kodak (1917 Model) Folding Camera | eBay
No. 1A Autographic Kodak (1917 Model) Folding Camera | eBay

1917 DP Roger Deakins: Camera Stabilization, Movement, and the Trinity |  IndieWire
1917 DP Roger Deakins: Camera Stabilization, Movement, and the Trinity | IndieWire

The immersive camera movement of “1917” | ARRI News
The immersive camera movement of “1917” | ARRI News

10 Reasons 1917 Should Win Best Picture At The Oscars 2020 – Page 9
10 Reasons 1917 Should Win Best Picture At The Oscars 2020 – Page 9